Mahomi Kunikata

  • Book incl. Print(s)
    March of the Absent Friends, boek in mooie box inc. 2 prints, gesigneerd en genummerd
    box 43,7 x 33,5 cm, boek 17,7 x 13,5 cm, print 40 x 31 cm
  • Biography

    Biography
    1979 Born in Kanagawa Prefecture, Japan

    2000 graduated from the Graphic Design Department of Nippon Design College with a major in illustration. Participation at Murakami’s art seminar Geijutsu Dojo

    Solo shows

    2008 Galerie Alex Daniels – Reflex Amsterdam, «The Fancy Funeral»
    2007 Jack Tilton Gallery, New York
    2006 March of the Absent Friends, Galerie Alex Daniels – Reflex Amsterdam "GEISAI#9," Tokyo, Japan

    Group Exhibitions

    2008 “Kiki Artists," Kaikai Kiki Gallery, Tokyo, Japan Japan Foundation, place TBA
    2007 "Art Amsterdam," Amsterdam RAI, Amsterdam, the Netherlands "Art Rotterdam," Cruise Terminal, Rotterdam, the Netherlands
    "The Door into Summer: The Age of Micropop," Art Tower Mito, Ibaraki, Japan
    2006 "VOLTAshow02," Basel, Switzerland Agnes Art Fair, Tokyo, Japan
    2005 "Kaikai Kiki Exhibition," Aoi Gallery, Osaka, Japan J’en Rêve, Fondation Cartier pour l’art contemporain, Paris
    Little Boy: The Arts of Japan’s Exploding Subculture, Japan Society, New York, NY
    2004 Tokyo Girls Bravo New York, Marianne Boesky Gallery, New York, NY
    2003 GEISAI 4, Tokyo Big Sight, Tokyo, Japan Hope—The Future is in Our Hands, LAFORET Harajuku, Tokyo, Japan GEISAI 3, Pacifico Yokohama, Yokohama, Japan
    2002 Tokyo Girls Bravo 2, NADiff, Tokyo, Japan 2000 Geijutsu Dojo Exhibition, LAFORET Harajuku, Tokyo, Japan
    Bibliography
    2006 March of the Absent Friends, Reflex New Art Gallery, Amsterdam.
    2005 Murakami, Takashi. Little Boy: The Arts of Japan’s Exploding Subculture, Japan Society, New York, NY, pp. 74-75
    Demir, Anaïd. “« J’en Rêve », le frisson de nos 20 ans,” Le Journal des Arts, July
    Matsui, Midori. “Murakami Takashi ga, rekishiteki bunmyaku kara japanÄ«zu poppuāto o hodokiakasu(‘Takashi Murakami analyzes Japanese pop art from a historical context’),” Marie Claire Japan, August, p. 111
    Youssi, Yasmine. “Place aux jeunes chez Cartier,” Le Journal du Dimanche, July 3
    Asano, Masahiko. “Otaku no teki: Murakami Takashi no meikaku naru henkō(‘An enemy of otaku: The clear transformation of Takashi Murakami’),” Bijutsu Techō, June, p.104-109
    Miyamura, Noriko. “Kiseru x Murakami Takashi: Ongaku to āto de yumemiru mirai(‘Kicell and Takashi Murakami: Dreaming of the future with music and art’),” Switch, June 2005, p.96
    Matsui, Midori. “Art SV Cut Up,” Studio Voice, June, p.78
    Jana, Reena. “Cute d’etat,” Time Out New York, April 28-May 2, p.74-5
    Stevens, Mark. “Toxic Cuteness,” New York Magazine, April 18, p.84
    Lubow, Arthur. “The Murakami Method,” The New York Times Magazine, April 3, pp.56, 64, 76
    Darren, Ressler. “Vision: Murakami,” Big Shot, April 2005, pp.20-3
    “Exploring Kawaii,” Fashion Projects, 2005 issue, 20-21
    2004 Smith, Roberta. “Tokyo Girls Bravo”, The New York Times, March 25, p.B33
    2002 Tokyo Girls Bravo. Takashi Murakami, Kaikai Kiki, Tokyo, Japan, pp.54-65